Iness Rychlik is fascinated by the idea of conveying sexuality and cruelty in a subtle evocative way. Her conceptual self-portraits provoke the viewer’s imagination, rather than satisfy it.

The artist primarily photographs his own body, creating conceptual self-portraits. Analyzing her work, it is impossible to avoid references to self-feminism, ie, tendencies in which women acquire subjectivity using social networks for this.
The Edge of Subtlety, 2020.